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What We Find
A Sullivan Crossing Novel #1
by Robyn Carr
April 5, 2016
Join Robyn Carr, #1 New York Times bestselling author of the Virgin River and Thunder Point series, as she explores the healing powers of rural Colorado in a brand-new story of fresh starts, budding relationships and one woman’s journey to finding the happiness she’s long been missing.
Between the urban bustle of Denver and the high-stress environment of a career in neurosurgery, Maggie Sullivan has hit a wall. When an emergency, high-risk procedure results in the death of a teenager, Maggie finds herself in the middle of a malpractice lawsuit—and experiencing levels of anxiety she’s never faced before. It’s in this desperate moment that Maggie’s boyfriend decides he can’t handle her emotional baggage, and she’s left alone, exhausted and unsure of what her future holds. One thing is certain, though: she needs to slow down before she burns out completely, and the best place she can think to do that is Sullivan's Crossing.
Named for Maggie’s great-grandfather, the land and charming general store at the crossroads of the Colorado and the Continental Divide trails have been passed down through the generations and now belong to Maggie’s estranged father, Sully. Though raised by her mother and stepfather after her parents divorced, Maggie has always adored Sully—despite his hands-off approach to fatherhood. When she shows up unannounced in Sullivan’s Crossing, he welcomes her with opens arms, and she relishes the opportunity to rebuild their relationship.
But when Sully has a sudden heart attack, Maggie’s world is rocked once again. Consumed with his care, she’s relieved to find that Cal Jones, a quiet and serious-looking camper, has been taking over many of Sully’s responsibilities as he recuperates. Still, Maggie is suspicious of this mysterious man’s eagerness to help—until she finds out the true reason for his deliberate isolation.
Though Cal and Maggie each struggle with loss and loneliness, the time they spend together gives Maggie hope for something brighter just on the horizon…if only they can learn to find peace and healing—and perhaps love—with each other.
I married my high school sweetheart four short weeks before he left for Officer's Training School in the Air Force. It was the peak of the Vietnam War and he had been assigned to pilot a helicopter. As soon as I could, I followed him from base to base where I was kept busy with wives' activities while he either worked long hours or traveled. And this is where it all really began for me - because of the instability of our lives, I didn't work in nursing. But nothing bridges the gap between loneliness and worry like a good book. Then came the children, or maybe I should say the pregnancies. Miserable and big as an ox, I was instructed to stay down and keep my feet up. My neighbor brought me ten paperbacks a week; I was reading more than one a day. With ankles the size of a normal woman's thighs, I spent my afternoons with Kathryn Swynford and John of Gaunt....with Heather and Brandon Birmingham....with Elizabeth, The King's Gray Mare. Nothing short of labor pains could snap me out of it!
I cut my teeth on Anya Seton, Kathleen Woodiweiss, Rosemary Hawley Jarmen. It made perfect sense that when I applied my own imagination to the blank page, it would be in the genre of Historical Romance. This was before the days of RWA; there was no available training program. In fact, the first conference I ever attended for writing contained no workshop on romance writing and the novelist who critiqued my manuscript boldly told me to go home and find something to do for which I had talent. That manuscript was sold to Little, Brown and Co. two years later, published in hardcover and titled Chelynne.
I spent the first decade and a half of my writing career on romance, historical and contemporary. Then, needing a change, I wrote a suspense novel, a non-fiction, and several brilliant but as yet unsold screenplays. I wrote articles and even short stories, jumping all over the place, not really aware that I was working on reinventing myself, redesigning my craft. During the course of this transition, which was by no means short, I had a great piece of good luck. I went to San Diego State University to teach a novel writing workshop and met a woman who was the editorial director for a publisher who focused on women's fiction. The range in this genre is remarkably broad - from pure romance to adventure to political intrigue to girlfriend books to small town fiction.
This was a good place for me to develop my own brand of women's fiction, a style that most closely resembles my take on real life. I want to laugh through a book, but I don't want a book that's a big laugh - and that's a tall order. As a reader I want to have a genuinely good time, but not a joke. I want real women's issues, real humor, and real teeth in the story. This is a genre with lots of room for growth.
In the meantime, with all this writing and reinventing going on, I was raising a family. My son and daughter are adults now, reading my fiction and making snide remarks about how I have used family scenarios to my advantage.
The greatest compliment I have ever received came from one of my readers who labeled me "a woman's woman." She told me I wrote as knowingly about being single as being married, about being old as young, about the happily married and someone suffering from spousal abuse. In short - my goal achieved according to one reader - I can cover all women's concerns. And my women laugh as often as they cry.
I've found my new home.
by Diane Alberts One of the things that writers struggle most with is making our characters realistic, likeable, kind, and yet…flawed. Yep, you heard me. Flawed. No one likes perfection, and let’s be honest, perfection isn’t realistic. Have you ever met someone who was PERFECT? And if you have, how much do you want to… Read More