June 2010

I CONFESS

 

I confess I’m addicted to film and I have been since I was five years old.

As many of you know, my mother was born developmentally disabled.  At age 5 it became my job to help take care of her.  It was a gentler time, when a little girl could safely take her obviously challenged mother by the hand to go on the bus to movie theaters in my Midwest city.

As I grew older – learned to read, write; to reason – and my mother did not, movies became the vehicle through which we could connect.

From the time I was five until I left for college, most weekends I took my mother to four movies for the sheer joy of being able to laugh with her at funny films, cry at sad ones and scream during horror flicks.

Every time I walk into a darkened theatre I think of my mother and the joy film has always given her.  For me the summer movie season is more than a bonanza of fabulous  films – it is an opportunity to magically connect with other loved ones in the same way.

This June, there will be several magical moments in Chicago.  Not only will Ron Howard be honored at The Film Festival, but Robert Downey, Jr. will be awarded the Gene Siskel Film Center Renaissance Award – and I’m thrilled to report I’ll be in
attendance!

Of course IRON MAN 2 is at the top of my Summer movie list ( I’ve already seen it and I give it an A – Robert Downey, Jr. again delights!), but here are a few of my other must-see summer movies:

ROBIN HOOD (saw it – found it interesting – great cast and           director)

SEX AND THE CITY 2 ( I was at the Premier Party on May 26  – all dressed up, sipping champagne and enjoying the film. I don’t care what the critics say.  I’ll see it again just for the clothes, shoes and fun gals.)

PRINCE OF PERSIA: THE SANDS OF TIME (The female lead,         Gemma Arterton, was very compelling in CLASH OF THE                 TITANS- ok, it wasn’t the best film but she was memorable!)

LETTERS TO JULIET (I’m a hopeless romantic)

SHREK FOREVER AFTER (Yes, I’ll be seeing this with young           children)

KNIGHT AND DAY (I’m hoping it will replace my unpleasant         memory of Cruise and Diaz in VANILLA SKY)

JONAH HEX (For some reason I can’t explain, I feel                   compelled to take the risk and see this one)

THE A-TEAM ( Loved the series – like this cast)

THE TWILIGHT SAGA: ECLIPSE ( I saw the first two with               teenagers – how can I not see this one?)

THE KARATE KID ( I was at the Olympics in China so will             enjoy revisiting those sites - plus Jackie Chan is just too               much fun!)

TOY STORY  3 (Another opportunity to share with the                 children)

LOVE RANCH (This one is strictly for me – Helen Mirren               rocks!)

INCEPTION (I’m not a big fan of Chris Nolan, the director –         but I’m giving this one a chance)

THE ADJUSTMENT BUREAU (Because I am a fan of Matt               Damon and Emily Blunt)

SALT (Angelina Jolie is always interesting)

PREDATORS (I still love horror flicks)

THE SORCERER’S APPRENTICE (It looks like a blast with Nicolas   Cage)

THE LAST AIRBENDER (Again for the children – plus this director   has done some good work in the past, he needs a winner after a string of misses)

●  EAT PRAY LOVE (How can I resist?)

THE GIRL WHO PLAYED WITH FIRE ( I must rent THE GIRL           WITH THE DRAGON TATTOO before I see this one)

GOING THE DISTANCE (Just because of Drew Barrymore)

THE SWITCH ( It looks like a fun summer romance)

I wish we could see them all together to share the magic!  

xoxo,

Sherrill

Comment on this blog and you could win a copy of TALK OF THE TOWN!

Why I Write

 

I’m relatively new to the writing world—well, new in terms of books. I just finished writing my sixth novel and am embarking on my seventh—compared to authors like Nora Roberts, Christine Feehan and Linda Howard, I’m an infant.

Recently I was talking to one of my kids about the fabulous JK Rowling.  I wondered if she’d ever write anything again now that Harry Potter is done. My youngest said, “Why would she? She’s stinkin’ rich.”

The thing is, being a writer isn’t just about a job and it’s rarely about the pay check. A very small number of writers actually make a living at it.  The rest of us do it because we love it (hate it, obsess over it, crave it—fill in your own descriptor here).  I fall in that latter group.  It’s a love/hate relationship that changes on a daily basis.  I love having a contract to write a new book, I hate having to finish a new book by a set date, I love having the deadline that forces me to finish the book, I hate meeting the deadline—especially when it’s down to the wire.

But the bottom line: I love crafting the kind of story I like to read. That part never changes.   And no matter if I’m loving or hating being a writer, it is always so much more than what I do.  It defines a part of who I am.  A very important part.

I never felt this more as I did when I finished my last book, HAUNTING DESIRE, Berkley Trade; March 1, 2011, Book #3 in the Haunting Series.  HAUNTING DESIRE was a very challenging book for me to write for many reasons.  I was stressed for time and having a hard time getting over the hero in HAUNTING WARRIOR, Book #2 in the series, who I’d fallen madly in love with.  But the beauty of creating your own stories and characters, is that you can make them everything you desire.  Once I finished the first draft of HAUNTING DESIRE I knew that Tiarnan, the hero of the new book, was every bit the kind of man I could fall in love with.

HAUNTING DESIRE hasn’t even been edited yet, but I’d love share an excerpt with you.  This is the scene when Tiarnan and Shealy first come together.

Everything Tiarnan had told Shealy was there, stuffed into her head until she felt like her skull might crack from the pressure. She’d come to a land that wasn’t real, in a place that didn’t exist, where time ran deviant and the laws of nature were ruled by a Druid called Brandubh.  It was the stuff of the cinema, yet she was here, lying in a bed made of leather straps and wood, covered in furs and held by a man she’d been dreaming about for weeks on end.

And it was all very real.

The heat of Tiarnan’s body blazed down her back, silken and hot against the gap in her hospital gown.  He was aroused, but trying not to move.  Still, she could feel the weight and pressure of his erection against her, knew instinctively that he was holding onto his self control by a very thin thread.  She didn’t know how many people lived on this Inis Brandubh, but she didn’t imagine there was a lot of hooking up in Tiarnan’s life.  He was too serious, too intense for that.  Too stern and unapproachable.

They’d both almost died today . . . or yesterday . . . or last year, if
Tiarnan could be believed—and she thought he could.  On a very visceral level, she sensed that Tiarnan was a man of truth and honor. If he said the sky was yellow, then yellow it would be.  But right now, he wasn’t saying anything.  His breathing was strained, coming in short hot bursts against her ear.  The muscles in his arms bunched tight, but his hands were gentle where they held her, almost apologetic as they stroked.

Shealy didn’t let herself think.  Thinking would break her completely because even now she felt logic trying to barge in and dispute that which it couldn’t accept.  At that moment, she needed to feel.  She needed to know that however bizarre this place was, she, at least, was real.

Before she could change her mind, she turned in his arms, feeling him resist for just an instant as he tried to hold her still.  Then she was pressed against him, her gown twisted at her hips, her face level with his.  For a long moment they stared at one another, searching the shadows that concealed their expressions, each seeking mercy, absolution perhaps.

She caught a glimpse of pain in his golden brown eyes and for a panicked moment she thought he might reject her and pressed closer, letting him feel every curved inch of her body.  She didn’t care if it was selfish.  It was too late to turn back.

She ran her hands up his bare chest, reveling in the feel of him. He was hard slabbed muscle beneath hot, silken skin.  Every inch of him, strong and hewn.  Her fingers slid up the column of his throat then back to tangle in his dark brown hair, twisting in it to bring his lips closer to hers.  He made a sound in his throat that lit a fire deep inside her and then he pulled her tight against him with an anguished groan and that too, fanned the inferno, as if having him against his will made the forbidden moment that much sweeter.

His reluctance didn’t extend to his body, though and he rolled, pulling her beneath the satisfying weight of him, crushing her in a way that screamed sex through every nerve ending.  One massive thigh slid between her legs and she arched up, rubbing against it, thrilling in the intimate friction.  He brushed his lips against hers, the kiss soft and she opened to him, letting him know he was welcome wherever he might want to venture.  The feel of his tongue, so hot and velvet, so foreign and somehow exotic in her mouth, made her moan and her fingers clench in his hair.

From that moment on, Tiarnan absolutely had my heart.  I knew I would continue to write my stories because of men like Tiarnan. How could I not?

Talk to me about anything and two lucky commenters will get an autographed copy of HAUNTING BEAUTY (Book 1 in the Haunting Series), ECHOES or WHISPERS (writing as Erin Grady).  Thanks for stopping by! 

A Summer In Sonoma - the book I almost didn't write


One of the questions writers get all the time that they usually have
no answer for is “Where do you get your ideas?”  In general, most writers aren’t real sure.  Oh, some have good guesses – from the news, personal experience, from dreams, even from being ‘visited’ by their characters and instructed as to how the story should unfold.  For me, it’s usually kind of a magic thing that I neither take for granted nor try too hard to understand.  An inkling of some kind comes to me and I wrestle it to the ground, tie it up and examine it more closely.  Sometimes I can spin it into something, sometimes I can’t. 

There are a few books that I know exactly where they came from.  Exactly.  And one of those is A Summer in Sonoma, the book I almost didn’t write.

At first, it was a different book.  It happens that I know some real interesting female police officers, which means I know some very fun ‘girl cop’ stories.  Armed with these fantastic stories, I wrote a Girl Cop book.  Oh, I was so proud of it – I thought it just plain SANG!  Small problem – no one liked it but me.  I mean, no one.  Including my girl cops, who I think I captured like they were on film. 

Like a lot of writers, I have some readers of early drafts who have been carefully selected.  I understand there’s a label now – they’re called Beta Readers, but to me they’re ruthlessly honest friends who love books.  One of them is Michelle, a brilliant acquisitions librarian with incredibly eclectic reading taste and, it happens, a police officer in the family.  (Give a wave or a bow here, Michelle.)  I gave her the manuscript and asked her what I’d done wrong because I still liked it. 

“I don’t think it’s going to work,” she said.  “Too many genres all mixed up in there.  Part police procedural, part suspense, part romance, part women’s fiction.  The really sad thing for me,” she said, “is that I love that small sub-plot about Cassie and Walt and if the book goes, I guess they go.” 

Oh contraire, mon ami! 

Cassie is a young woman about to turn thirty who has had nothing but bad luck with men and has given up out of disgust and utter discouragement.  Walt is the guy who likes her and who she is, inexplicably drawn to.  Problem?  Cassie has been thinking khaki pants with sharp creases, clean shaven, with any luck a country club membership.  Walt?  A hairy, leather clad biker with a naked lady tattoo on his forearm and a great big Harley hog under him.  Hmmm.  Can’t work, right? 

I stepped back to my comfort zone, the ensemble cast, the
community.  I gave Cassie some girlfriends with their own individual set of issues – one has severe money problems, one is tempted to cheat on her husband, and one has health issues serious enough to topple the whole group.  I found I had to pay close attention to my daughter and her friends because, while I hate to admit it, it’s been a while since I was turning thirty.  All the drama of that time of life has evolved into something more steady for me, but I was reminded about how serious it is when it’s upon you. 

In the end, A Summer In Sonoma became beloved to me.  And there’s no question – while I might truly enjoy all those cop stories, I know these women better.  They’re just your average young women, struggling with the stuff of life, the stuff few of us escape.  For them, their sense of commitment to each other will be the thing that gets them through.  That I understand!

Thank you, Michelle.  Your insights always help.  This time you handed me a book. 

And now I’d like to hand it to the rest of you.  Come away with me to A Summer In Sonoma.  You’ll never want to leave!  

www.robyncarr.com

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Eight and Counting

Well, hello there everyone! I’m excited to be here for the first time. I probably should have waited until my next book, TWO LETHAL LIES, is out. But that won’t be until October and frankly that was too long to wait. So here I am now, inspired by the fact that when it IS released it will be my eighth book.

Compared to some, eight may not seem a lot, but back when I was dreaming about becoming a published writer, even one book seemed impossible.

Persistence in the face of great odds is not an easy thing to maintain. At least, not for me. I had many years where I didn’t believe I could ever finish a book, let alone get it published.

One day I saw an ad in my local paper for a group called “Music City Romance Writers.”  Bucking up my courage, I ventured forth. In those days, the group met at a local library, which should have given me a clue, but didn’t. I was so nervous going to my first meeting, I didn’t think about much of anything. Authors were like Olympian gods to me: larger than life and entirely unapproachable.

Imagine my surprise when I walked into the room and saw perfectly ordinary-looking people sitting there. No one wore a size 2 mini-skirt. No one looked like they’d stepped out Vogue. In fact, most looked as though they’d dashed home from work, threw some kind of dinner on the family table, left the dishes in the sink, and ran to the meeting.

Just like me.

That was the beginning of my seeing that writing and publishing a book was possible. If these women, these down-to-earth, smart, welcoming women could do it, maybe I could, too.

I met many of my closest friends at that meeting. Together we’ve journeyed through the ups and downs of our writing careers. Many us eventually realized our dream: seeing our book displayed in Borders or Barnes and Noble.

I still get a thrill when I see my books in the store. My seventh romantic suspense, One Deadly Sin, came out in 2008. It has a prickly tough-gal biker chick heroine with a secret heart of gold, and a sexy small-town cop whose world falls apart when her scheme for revenge goes wildly and horribly wrong. It’s still getting raves (here’s a recent review)--  so I hope you’ll check it out.

As mentioned at the start, my next romantic suspense, Two Lethal Lies comes out in October. It’s a tense story about a man carrying a secret so lethal, its discovery could put everyone he loves in the crosshairs of a maniacal killer. Can’t wait until the fall? It’s available for pre-order at Amazon.

If you want to know more about me or my books, stop by my website . You’ll find excerpts there from all of them.

And I hope you won’t give up on your dreams. You never know what’s waiting out there to help make them come true.

Two readers who comment on the blog could win signed Advanced Reader Copies of my upcoming October release, TWO LETHAL LIES.

Preggers

 

Preggers.  Not me!  Not now, anyway.:)  Have you ever been pregnant?  Or known someone who was pregnant?
 
What do you remember about it?  I remember taking two at-home pregnancy tests when I got pregnant the first time.  I was relieved and thrilled even though I was only 23 because I had always known I wanted to have children.  My husband and I lived on the coast in North Carolina and although I was usually cold-natured, I quickly learned that I wasn't just "eating for two", I was "heating for two".  Nauseated off and on the first 3 1/2 months.  Could. Not. Bear. The sight or smell or raw chicken or hamburger.  Dinner time was rough.8)   I learned the value of sticking my head in front of a fan or in front of an open freezer door. At 26 weeks, I spotted and learned I was 80% effaced (that means your cervix is 80% thinned out and it's not supposed to be at that point).  I was put on bedrest and I worried.  I was told there was NO. WAY. my baby wouldn't be born prematurely. 
 
Three days after my due date, my doctor induced me and I delivered a 9 lb. 8 oz baby boy.  I personally believe that obstetrics is a very primitive profession.  No epidural for me.  They were giving something called stadol.  Alas, that made me sleepy, which made it hard for me to focus, so I only took a quarter dose.  Might as well give me an aspirin.  My baby was totally worth it all, though.  He was gorgeous and sweet and wonderful and has been a huge blessing to us. 
 
I had two cravings during my pregnancies.  One was healthy  -- orange juice.  I especially craved it at night.  I later learned that oj is a diuretic.  Makes sense.  My other craving was hot fudge sundaes.  I'm not sure this one is all that legitimate because I -still- crave them.<g>
 
Now, what does this have to do with anything bookwise?  My current book, CEO'S EXPECTANT SECRETARY, features a preggers shero, and boy has she gotten herself into a pickle!  If you get a chance to read it, I'd love to hear from you at leannebbb @ aol.com (no spaces).
 
So what about you?  Do you have a pregnancy story?  I'd love to hear it!

MY LOVE AFFAIR WITH THE CAVANAUGHS

When I was a little girl living in Queens, NY, I desperately wanted a pet. We were too poor for one, so my parents gave me brothers.  Being a resilient child, I readjusted my perspective on life and decided it would be cool (before this word meant something other than a drop in temperature and a reason for my mother to put a sweater on me) to have a huge family. Again, poverty intervened and curtailed my plans to be the oldest sibling in a dynasty.  Two brothers was all I was getting. 


Once again, I readjusted, finding solace in an imagination I didn’t even realize was fertile.  To me, it was just the way things were. You didn’t like something, think your way into something else.  So, at the age of eleven, I began spinning the saga of Anna Marie Anders, Adventurous Girl.  The adventure here was that Anna Marie, firstborn of large a pioneering family, crossed the wide country in a covered wagon filled to capacity with, yes, you guessed it, siblings.  Siblings who grew and were eventually left to settle in different parts of the country as the journey continued all the way to California (prophetically where I eventually wound up living). I took Anna Marie through 23 siblings—pity the poor mother—and from the age of sixteen to her death decades later.  I tied up events neatly by having her husband swiftly pine away and die two weeks later, calling for his “Adventurous Girl.” (Looking back, I realize now that was an unwitting case of plagiarism inasmuch as I had earlier read the biography of Annie Oakley, otherwise known to a few as Phoebe Ann Mosey, whose husband, at least in the book, was said to have died two weeks after she passed away, calling for his little sharpshooter.


That was the beginning of my love affair with large families. Over the years, as a writer, I have come up with regular sized families here and there, such as  THE CUTLERS OF THE SHADY LADY RANCH (for Silhouette’s Yours Truly line), four brothers and a sister who took the reader through different stories about life in Montana. There were The Sinclairs, my first family in the Romantic Suspense line (then known as Intimate Moments). I’d do each story and then, like a mama bird shoving her babies out of the family nest, I’d watch them leave and fly away.  End of saga. 


Until I began writing about the Cavanaughs. 


The Cavanaughs began as a five book series, the five
adult children of a retired chief of police, Andrew Cavanaugh. The five were all on the police force and woven through all five books was Andrew’s dogged determination to find the missing wife that everyone else presumed was not just missing, but dead.  Andrew found his wife and all his children found their soul mates as well.  End of saga—except I just couldn’t let go. I really liked this family too much.  So, with an eye out to the future, I’d introduced Andrew’s younger brother, Brian, as well as mentioning his late brother, Mike.  Both of the men had families. The rest is mini-history.  And now, once again, we appear to be almost at the end. This month, CAVANAUGH JUDGMENT  is on the stands. After that, I have one more Cavanaugh sibling waiting for his story to unfold.  After that, the saga will finally be over.


Or will it? Anna Marie Anders would have been greatly disappointed if I didn’t have one trick left up my sleeve . . .


Family Heritage

 

The idea for the "Quest for the Golden Bowl" series emerged a few years ago when I spoke to a group of seniors and asked them to share their family’s histories with the audience.  I was fascinated by the details many of the men and women shared about their families.  Some of it dated back to the mid eighteen hundreds.  One of the women was an octogenarian.  Her carriage was impeccable and gave new meaning to aging gracefully.  She revealed changes in each generation and imparted some of her family’s story.

The theme of my latest series is the value of family heritage.  The heroine of ISLAND OF DECEIT, Barbara Turner, thinks she is alone and has no family left.  But when she arrives in Paradise Island, she discovers she’s related to the town’s matriarch and is told the richness of the history of what she discovers is a very large family.

ISLAND OF DECEIT is the third book in this four-book series.  The first two titles are GOLDEN NIGHT and LONG, HOT NIGHTS.  Many of the islanders are descendents of seven women who were shipwrecked on Paradise Island nearly four-hundred years ago.

ISLAND OF DECEIT.  Ex-Wall Streeter Barbara Turner wants revenge on the scam artist who swindled her grandmother out of her life savings and then killed her.  Posing as a hair stylist, Barbara arrives in Paradise Island, shocked to discover that she’s related to the town matriarch—and that she’s one of the trustees of the family’s antique bowl, which has disappeared.  Determined to solve these mysteries on her own, Barbara refuses to ask the town’s sheriff for help because she has secrets she cannot share.

Unfortunately, Sheriff Harper Porterfield—Paradise Island’s most eligible bachelor—already suspects Barbara of hiding something. But that isn’t the only reason he won’t let the plus-sized beauty out of his sight.  He finds her thoroughly irresistible.  But her subterfuge could destroy any chance of a happily ever after—especially while there’s still a killer on the loose.

ISLAND OF DECEIT is on the bookshelves now.

Has someone in your family recorded your family’s history?  I urge you to take the time to talk with your older relatives and record their interesting stories.  It also makes a good project for children and a chance for them to become closer to the older people in the family. Please share some of them with us in the comments below.  And please visit my web page to view the book video and read an excerpt at: www.candicepoarch.com

One lucky person who comments on the blog will win a Candice Poarch book!

 

ELIZABETH CRUISES THE INSIDE PASSAGE

Hello, everyone! I can't believe how long it has been since we last met on this page. Life just keeps happening at warp speed.

Right now I'm all excited about the publication of DEATH ECHO on June 8th! 

The story of Emma and Mac, danger and death, life and love, begins in the Pacific Northwest AND unfolds against the gorgeous backdrop of the Inside Passage between Vancouver Island, B. C. and mainland Canada. The people in DEATH ECHO are like the water itself--quick and sometimes treacherous.

Mac and Emma don't know each other, have never met, and must trust each other with their lives. Deciding if such trust can be possible is a delicate thing. Rather like porcupines making love.

Here's a taste of what's in store for you with Emma and Mac:

Emma chewed over the fact that she’d made a mistake. Blackbird's captain enjoyed her crop top, but it didn’t affect his IQ. A hard man in every way that counted.

Time for Plan B: Honesty.

Yeah. Right.

“So much for light conversation,” she said clearly. “I’m Emma Cross and I’ve got a qualified buyer for Blackbird.”

“She’s not mine. I’m just delivering her.”

“So the owner is in Seattle.”

Mac didn’t answer.

“News flash,” Emma said crisply. “Being rude will just make me more pushy. I have a job to do and I’m going to do it, with or without your charming help.”

Mac almost smiled. “Charming, huh?”

“Yeah. Bet no one has ever accused you of that.”

This time Mac did smile. “No bet.”

Emma almost stepped back. The difference between this man with and without a smile was enough to make a woman think about doing whatever it took to keep the smile in place.

“Wow. You should try smiling more often, Mr. Whoever.”

He shook his head and decided he was going to find out just what kind of trouble Emma was. Give her enough rope and she might just tie herself up.

Now that was an intriguing thought.

“MacKenzie Durand,” he said. “If you want me to answer, call me Mac.”

And a day later, when they still haven't decided who is going to do what and with which and to whom:

Emma glanced at her watch. The time she could safely ignore Blackbird was ticking away. Since Mac kept pushing the ball into her court, she’d take it and ram it down his coy throat.

“My boss would like to hire you,” she said.

“The boss with more money than sense?”

“Have you ever heard of St. Kilda Consulting?” she asked calmly.

Mac frowned and searched through his memory. “Civilian. Private. International. Kidnap security.”

“Among other things.”

“What do they want me to do?”

Emma looked at Mac’s clear dark eyes and wondered why she kept thinking he was laughing at her.

“You’ll have to ask Joe Faroe,” she said.

“What do you do for him?”

“You can ask him that, too.”

“I’m asking you,” Mac said.

“Do you know if or when Blackbird is leaving port?”

“No.”

“Can you find out?” she pressed.

“Why?”

“Why not?”

Then she closed her eyes and took a better grip on her temper. She knew how to recruit someone.

This wasn’t the way.

“If you’re interested in making some honest money,” she said, “I’ll put you in touch with Joe Faroe. Whatever St. Kilda wants from you will be legal in whatever country you do it in.” So far, anyway. “They don’t play politics, they’ve been honest with me, and they pay on time.”

“Do they work for the good guys or just anyone who pays?”

“Find me some good guys and I’ll let you know,” she said. Then she met Mac’s dark eyes. “They’re more trustworthy than the government.”

“Faint praise.”

“In this world, that’s as good as it gets.”

His expression changed. “I left that world.”

She laughed, as much at herself as at him. “Sorry, babe. It’s the only world there is.”

By the time you read this, I'll be off cruising on a beautiful piece of ocean known as the Inside Passage. I hope to be in WiFi range on June 8th to respond to your posts. If not, know that I'll read and enjoy each one of them as soon as we're in port.

Until then, enjoy reading descriptions of where we are in DEATH ECHO!

ON THE STEAMY SIDE

QUESTION:  On the Steamy Side is Book 2 in your debut series A Recipe for Love—pray tell us how you came up with the series’ name, what your objective for the series was, and how that concept will have evolved by the time Book 3, Just One Taste, arrives this September?

LOUISA:  It was actually my publisher’s idea to unify the series with a title like “Recipe for Love.” I came up with a loooong list of possibilities, and they picked one. Simple! I didn’t actually set out to write a linked series; my original idea was that each book would feature a new kitchen crew at a different restaurant in different cities. I liked the idea of exploring food culture across the United States. But when St. Martin’s bought the books, they loved the cooks at Market so much, they wanted to see more of them! So Just One Taste (St. Martin’s, September 2010) will be the third book in the Market trilogy, and while it can totally stand alone as a story, it will also wrap up some ongoing storylines from the previous two books, hopefully in a very satisfying way.

QUESTION:  Why do you think chefs make such good heroes?

LOUISA:  It takes a certain personality type to choose a life as a chef—you have to be okay with long, strange hours, enjoy dealing with offbeat coworkers, and most of all, you have to be a sensualist. All good chefs really live in their bodies: they taste the food they’re preparing, smell produce for freshness, check for doneness by feel, listen for the expediters orders, and arrange plates for the most beautiful presentation. Any man who pays that much attention makes a good hero!  Plus, there’s just nothing sexier than a man who can kiss you breathless one minute, then go cook you a fabulous gourmet dinner.

QUESTION:  What snake holes do you have to avoid when it comes to a chef hero or setting a romance in a NYC restaurant?

LOUISA: I guess the hardest thing for me is making sure to write a few scenes outside the restaurant kitchen!  It’s not always easy to get my characters out and about, but reading an entire book set in a little hotbox of a cramped NYC kitchen space might get kind of claustrophobic.  So I send my chefs to the Union Square greenmarket, to a dive bar on the Lower East Side, and to Central Park for picnics.

QUESTION:  Okay a personal question:  Have you ever dated a chef?

LOUISA:  Ooh, good one!  In fact, I haven’t, but mostly because I’ve been with the same man (my husband) since our sophomore year of college.  He’s not a chef—but he makes a mean omelet!

QUESTION:  What is the most difficult thing about writing a contemporary culinary romance?

LOUISA:  Honestly, I can’t think of anything.  I love it!  I can’t imagine writing anything else right now.  It can be challenging, because I think readers demand more realism from contemporary romances than they do from paranormals and historicals, but I actually prefer to write that way, so it works out well.

QUESTION:  You’re a former NYC book editor of romances; do you find contemporary culinary romances differ from other books in the romance genre?  And if so, how?

LOUISA:  I find contemporary romance especially romantic and meaningful because there’s a way in which they represent the real world—therefore, what happens in a contemporary romance could actually happen.  And that’s exciting!  But I think at heart, all romances share a sense of hope, endless possibility, and belief in the power of love—those are what make this a great genre to write in.

QUESTION:  So far, both Can’t Stand the Heat and On the Steamy Side have included some luscious recipes in the back of each novel.  Where do those recipes come from?  And can we count on future books having them, too?

LOUISA:  Oh, those recipes!  They represent a significant portion of my life (and my husband’s patience) because I come up with all of them myself.  I get help from friends with testing them, and with ideas, but even so, they’re a lot of work!  I have tremendous respect for cookbook authors now.  On the Steamy Side was a lovely bit of rest, because most of its recipes came straight from my family.  I still had to test them all, because these were some oooold recipes, handwritten and with measurements like “a wine glass full of whiskey” and that kind of thing.

There will definitely be recipes in every Recipe for Love novel (I’m especially proud of the ones in the back of Just One Taste!), although I’m thinking about asking some of my chef friends to contribute the ones for my next three books, the Best American Chef trilogy.

QUESTION:  What can we expect as you wrap up your Market trilogy in September with Just One Taste and then embark on your new Recipe for Love series, The Best American Chef trilogy, in 2011?

LOUISAJust One Taste is the culmination of the Market trilogy, and it’s the story of bad boy chef Wes Murphy and his genius food chemistry professor, Dr. Rosemary Wilkins. Here’s the blurb:

He has a hungry mind.

Bad-boy chef Wes Murphy dreads his final semester cooking class—Food Chemistry 101—until he meets the new substitute teacher. Dr. Rosemary Wilkins is a feast for the eyes, though her approach to food is strictly academic. So Wes decides to rattle her Bunsen burner by asking for her hands-on advice—on aphrodisiacs . . .

She’s got love down to a science.

Rosemary is a little wary about working with Wes, whose casual flirtations leave her hot under the collar. But once they begin testing the love-enhancing power of chocolate, oysters, and strawberries, it becomes scientifically evident that the brainy science nerd and the boyish chef have some major chemistry together—and it’s delicious . . 

If that whets your appetite, maybe this nice long excerpt will tide you over until August 31st!

As for the Best American Chef Trilogy, I’m writing the first one now. Luscious will be released in March 2011, followed by Delectable in September 2011, and Tantalizing in March 2012.  This trilogy follows a group of talented cooks as they duke it out for the title of Best American Chef, reconnecting with family and finding friendship, love and passion along the way.  I’m having a blast with these new characters!  This trilogy is set in the same world as the Market trilogy, so expect to see a few familiar faces . . .

QUESTION:  You’re going to be stuck on a remote island by yourself for a good long spell and you can only take three things with you.  What would they be?

LOUISA:  1.) Cast-iron skillet.  You can cook anything in it, and hey! Doubles as a weapon! 

2.) My laptop. I can’t live without it; I swear, I think it’s wired into my central nervous system at this point.  And hey, I’ve got deadlines.  I don’t have time for island vacations!

3.) I guess it would be cheating big to say “the contents of my bookshelves,” so I’ll just cheat a little and say Suzanne Brockmann’s Troubleshooter series.  I’d go nuts on an island with nothing to read, and I could happily reread her books a zillion times.

This has been such a fun interview, thank you for having me!

Louisa will be giving away a couple's prize to someone who comments on the blog. The lucky winner will receive two On the Steamy Side flutes and two signature aprons and 2 spats ... and a copy of On the Steamy Side plus a chapter booklet!